Antique Harmonograph Drawings
An artist who had seen some of my previous posts recently gave me a tip-off about an antiquarian harmonograph book at a local Bloomsbury bookshop …. need I say more? Of course I bought it – and I would like to share some of its fascinating content. This slender book, measuring 12″ by 9″, gilt-edged with a red cloth binding, is dated by its author’s preface at 1893, and is simply entitled “The Harmonograph. Illustrated by Designs actually Drawn by the Machine by H. Irwine Whitty, MA” The context of this book is wonderfully clear in Whitty’s preface, and I can do no better than to offer some excerpts from it:
” In January 1892, the Norwich Science Gossip Club, of which I had the honour to be President for that year, held a conversazione to celebrate its coming of age, having just completed its 21st year. It was suggested that the Harmonograph would probably be considered an interesting exhibit; and this suggestion, joined to the fact that I had long been desirous to construct the machine for myself, gave the necessary stimulus….
“My readers will, I trust, bear in mind that every one of the curious and beautiful figures which are presented has been separately drawn by the machine itself. Under these circumstances absolute accuracy of every figure contained in the whole fifty volumes, of which the issue consists, is unattainable, and, if two copies are compared, small differences in corresponding figures can be seen…
“Furthermore, he will fall under the influence of a rare fascination….with unabated interest do I watch the pen making its intricate and mysterious rounds, passing through cycle after cycle, and laying down curve within curve, with such beautiful precision as to render almost impossible the conception that the whole complicated operation has for its inspiring cause the regular monotonous swing of two great lumps of lead.”
H. Irwin Whitty’s fascination and delight with the machine that draws is as pertinent today as when he penned his elegant prose more than 120 years ago. Picturing the meetings of the gentlemen of the “Norwich Science Gossip Club” evokes scenes from an H.G. Wells novel; we can fast forward to our present, with a discussion by Kalliope Monoiyos in the Scientific American blog Symbiartic, in which she ponders the perennial question “Can machines produce art that moves us?”
According to Whitty, the harmonograph “was first constructed by Mr. Tisley, of the firm Tisley and Spiller, the well-known opticians… It consists of two heavy pendulums, each of which swings in a plane at right angles to that of the other.” It is however worth noting that the generally held assumption is that the harmonograph was invented by Hugh Blackburn, Professor of Mathematics at Glasgow University, sometime in the 1840s.
Whitty’s two-pendulum instrument was fitted with a glass-pen – which may have contained a reservoir along its length to allow a steady flow of the violet ink in which the plates are drawn. The images are astonishingly fine and precise, each drawing presented on a smooth piece fo paper measuring 3 1/4″ by 2 3/4″. The plates are pasted onto boards which are bound into the book, carefully labelled according to the ratio of the pendulum frequencies and their musical counterparts, and protected with a tissue insert.
The text is very detailed and informative, nevertheless Whitty finishes with characteristically self-effacing remarks: “All the task the author set himself was to lay before a few friends the productions of the fascinating machine which gives its title to this little volume…This latter part has been done “with rough and all unable pen”, but if he has succeeded in giving them some little pleasure, he will have succeeded in accomplishing the main object of his work.”
It certainly has given pleasure, and I thank Mr. Graham Day, the artist who alerted me to its existence, for putting the opportunity to own this beautiful little volume my way.
Update: I have now uploaded a PDF containing scans of the full text and illustrations of this book. You can access it in the “Harmonograph Resources” section of my official website.
Hello,
Thank you for this interesting post!
Are the images of the book about the harmonograph of public domain, or should I cite your blog (in addition to the book)?
I’d be interested in including a picture within a book I’m editing.
Thank you for the information!
Best,
M
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Dear Maria,
Happy to oblige. Please see my private response to you re. the logistics of this. I look forward to seeing your publication,
Best, Anita
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Your Iron Genie is a fascinating (and beautiful) machine producing superb drawings, congratulations. I found your site from John Baez’s blog; unfortunately I am far away from Oxford to be able to go to see the live machine.
A little question, just out of curiosity; perhaps anyone knows. I have some glimpses of a scene in a movie where a working harmonograph appeared in a living room. At some moment, while the characters were engaged in conversation, the camera took a short sequence of an unfolding drawing, and I recall this as kind of mesmerizing. Unfortunately my recollection is rather nebulous and I am not sure neither on the film title nor any other identifying detail. The machine itself could be made with Meccano or something quite similar, but I am not sure either. I saw the movie in the mid-late 1970s, so the film cannot be posterior to these dates, and my guess is that the film was produced in England (just like your Iron Genie), so this reduces a bit the set of possibilities. Does anyone know? Perhaps this is only a little piece in a corner of the `harmonograph history’, but I hope this little detail could be interesting as well
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Hi Mariano, Thanks for this interesting observation… I have not seen anything like this, but maybe someone who reads this might know what film it is…meanwhile, I am collecting links and information on my website page http://www.anitachowdry.com/harmonograph-resources so please do get in touch if you find out.
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I have now uploaded the full text and illustrations as a dowloadable PDF on my official website http://www.anitachowdry.com under Iron Genie > Harmonograph Resources http://www.anitachowdry.com/harmonograph-resources/4585944436
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As your readers may know, the harmonograph was a very popular device in the 1880s and 1890s. They were usually constructed with three pendulums, and their patterns were somewhat more complex than the ones shown here. This book is the first publication I’ve seen of drawings made with two pendulums, and (from a physics standpoint) it is identical to my work – see http://www.paulwainwrightphotography.com/pendulum_gallery.shtml .
What I found interesting in this book is the notation of musical intervals used to describe various sets of patterns. I’ve often thought of my work as analogous to two (slightly out-of-tune) musical instruments playing a chord such as a fifth or an octave apart. It’s the out-of-tune property that makes the patterns interesting – if they were perfectly in tune the pattern would just trace the same path over and over. My work has used the octave, fifth, and unison (almost in tune) settings, and there are many more that I’ve been able to simulate on the computer but have not yet constructed.
An interesting deviation from the analogy with musical instruments is the fact that vibrating strings or columns of air maintain their pitch regardless of amplitude, while a pendulum’s period of motion is slightly shorter as the angle of swing decreases. This can result in a pattern that goes into resonance (traces the same path) as the swings deteriorate, and then begins to diverge again.
Part of my work this summer will be to build a machine that makes a minor sixth (or 8-to-five ratio), as was illustrated in the book. Are there more? I’d love to see them.
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Thanks for your detailed comments Paul. Whitty does describe the analogies between the pendulum movements and musical intervals in the text, and also describes Lissajous curves which form in response to specific vibrations (which his machine replicates). It is an endlessly fascinationg area of inquiry.
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What a wonderful instrument. I did not know of the Harrmonograph. Thanks for this interesting information.
Regards Johannes
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