Painting Indian Style
Learning from Bannu in the 1990s provided me with a great deal of insight when looking at historical paintings in museum collections, both in terms of how they were painted, and the pigments… Continue reading
Learning from Bannu in the 1990s provided me with a great deal of insight when looking at historical paintings in museum collections, both in terms of how they were painted, and the pigments… Continue reading →
My abiding interest in pigments and their sources has always been a catalyst for a much wider scope of interest, and in the raft of very human impulses that have shaped the history… Continue reading →
On the 17th March I gave a paper called More than the Colour Red: The unspoken symbolism of cinnabar pigment in Indian painting at a fascinating conference hosted at the University of Cambridge,… Continue reading →
My Name is Red is a novel by the celebrated Turkish writer Orhan Pamuk. It is a memorable read – a beautifully constructed ‘whodunnit’ set in the visionary world of the miniature painters… Continue reading →
Barbara Brend’s seminar on painting and illumination in Persian and Indian books on 1 November 2011 was followed by workshops about pigments and techniques at my studio. The picture above shows some of… Continue reading →