Painting Indian Style
Learning from Bannu in the 1990s provided me with a great deal of insight when looking at historical paintings in museum collections, both in terms of how they were painted, and the pigments… Continue reading
I have curated a display of 15th century illuminated manuscripts at the Bodleian Library, Oxford, which will be open free to the public until the 13th January 2018. It is called “Making Manuscripts… Continue reading
Over the years I have run a lot of professional development workshops with artists, craftspeople, conservators and academics who wanted to learn the secrets of making finely ground gold pigments, such as was… Continue reading
Just look at that – a beautiful precious Blue, its subtle variety of shades and striations, shot through with streaks of calcite and glittering iron pyrites, describing some imaginary landscape. It is the… Continue reading
A group of second year students on the M.A. Art & Science course at Central Saint Martins, including myself, plus course director Nathan Cohen and our tutor Eleanor Crook, have mounted a group… Continue reading
Silverpoint drawing requires a specially prepared ground because the silverpoint will not make a mark on ordinary paper. Preparing the ground can be a complicated business, and I shall be adding some posts… Continue reading
How about spending the first day of May on Hampstead Heath hunting for pigment? There is something rather primeaval about that – the sort of activity some neolithic cave painter might have engaged… Continue reading